Ibrahim Pasha Palace, which is claimed to be bigger and more magnificent than Topkapi Palace by the history became the stage of many weddings, feasts and celebrations as well as rebellions and turmoil and called with the name of Ibrahim Pasha after his death in 1536. It was also used by other grand viziers, and had functions such as barracks, embassy palace, register office, Janissary band house, sewing workshop and prison.

The palace which is constructed around four big internal courtyards, is made of stone in contrast with many Ottoman civil buildings, most of  which are wooden, therefore it could reach today. It was repaired between the years 1966 - 1983 and born again as the new building of Turkish and Islamic Works Museum. The section, which is used as a museum today, is the big ceremony hall of the palace and the is surrounded by the 2nd courtyard, which became the subject of all Ottoman miniatures of the palace and the gravures and tables of Western artists.

Turkish and Islamic Works Museum was awarded with the Special Jury Award of Museum of the Year Competition of the European Council in 1984 and with the prize given by European Council - Unesco for its studies for making the children love the culture inheritance.

Turkish and Islamic Works Museum, that is among the important museums of the world in its class has works from almost all periods and all types of Islamic art with its collection exceeding forty thousand works.

Carpet Section

The carpet section forming the richest collection of carpet art in the world had a separate importance and caused the museum's being famous as a "Carpet Museum" for long years. The museum has the richest carpet collection of not only Turkey, but also the world. Besides rare Seljuk carpets, prayer rugs and animal figured carpets belonging to the 15th centuries and the carpets produced in Anatolia between the 15th - 17th centuries and called as "Holbein Carpet" in the West inspired by the geometrically figures or kufi writing are the most valuable parts of this section.

Turkish and Islamic Works Museum carpet collection that became richer with Iranian and Caucasian carpets and famous Usak and palace carpet samples is a reference, which the ones carrying out a serious research on the carpet art in the world must apply to.

Hand Writings and Calligraphy Section

Koran - i Kerims constituting a big part of the writing collection of Turkish and Islamic Works Museum from the 7th century to the 20th century come from a large geographical region where Islam has spread over.

It is one of the rare collections, where Emevi, Abbasi, Egypt and Syria Tulunogullari, Fatimi, Eyyubi, Memluk, Mogol, Turkmen, Seljuk, Timuri, Safavi, Kacar and Anatolian Principalities and Ottoman calligraphy creations can be observed all together.

Among the hand writings, except Korans, there are books (some of them with pictures) written about various subjects and these draw attention both in terms of their writing styles and their coatings.

Imperial edicts, warrants bearing the signatures of Ottoman sultans, the sultan's signatures each of which is a work of art, Turkish and Iranian miniature writings make Turkish and Islamic Works Museum one of the most important museums of the world.

Section of Wooden Works

The most important parts of this collection are the samples of Anatolian Wood art of the 9th - 10th century. Besides the unique parts that remained from the Anatolian Seljuks and principalities, mother - of - pearl, ivory, tortoiseshell ornamented wooden works of the Ottoman Period, unique samples of inlaying art, Koran part cases, bookrests, drawers are the interesting parts of this rich collection.

Stone Art Section

Stone works belonging to Emevi, Abbasi, Memluk, Seljuk, Ottoman periods, some of which have motifs and some of which have figures, but all of which have writings have been gathered in Turkish and Islamic Works Museum. Unique and elite samples of stone art of Seljuk Period, grave stones on which hunting scenes, fairy creatures such as sphinx, griphon, dragon, early - period stone works with kufi writings, inscriptions written in different methods that are projections of Ottoman calligraphy art are important both in quality and in quantity.
Section of Ceramic and Glass

In this collection consisting mostly of the ceramic works found in the excavations made between 1908 - 14, the ones from Samarra, Rakka, Tel Halep, Kesan are in the first ranks.

It is possible to see the stages of Early - Islamic Period ceramic art in the collection of Turkish and Islamic Works Museum. The mosaic, mihrab and wall encaustic tile samples belonging to the Anatolian Principalities and Seljuk Periods and the plaster ornaments of Konya Kilicaslan Palace constitute another important part of the collection. Ottoman encaustic tile and ceramic art samples end with near - period Kutahya and Canakkale ceramics.

The glass collection starts with the 9th century Islamic glass art samples and includes the 15th century Memluk candles, Ottoman period glass art samples.

Metal Art Section

Turkish and Islamic Works Museum Metal Art Collection starting with the unique samples belonging to the Great Seljuk Empire period and mortar, censer, long - spouted ewer, mirror and dirhems constitute an important collection with the door knockers of Cizre Ulu Mosque and the 14th century candelabrums ornamented with constellation and planet symbols, which have an important place in Islamic metal art.

Among the Ottoman metal art samples starting from the 16th century and reaching the 19th century, there are silver, brass, tombac (ornamented with valuable stones) crests, candles, rose water cans, censers, washtub / ewer sets.

Ethnography Section

Ethnographic parts collected for long years have found the possibility of being exhibited with the transfer of Turkish and Islamic Works Museum to Ibrahim Pasha Palace.

The youngest part of the museum is exhibited in this collection, consisting of carpet - kilim looms collected from various regions of Anatolia, wool painting techniques, public weaaving and ornamenting art samples, clothes in their regional enhancements, house goods, hand arts, hand art instruments, nomad tents exhibited in places special to them.